Saturday, April 14, 2007

Stuart Nunn

African landscape with figures

You see them first down the long perspective
of motorways, men dwarfed by distance.
Flashing past, no details impinge, but a sense
of want that’s driven them out here where
no goal or departure point is evident.

Soon you expect them, walking where you drive,
walking – where to? Where from?
Sometimes two or four, not together,
spaced as though to make some point
in a language you don’t understand.

Later you find a destination or point
of origin in the hillsides of plastic sheeting,
plywood or corrugated tin leaving you
to imagine all the life that’s buried there,
marked off with high walls and safety barriers

stopping this other world colliding
with your safe white rush from beauty spot
to national park. Later still, you see them
everywhere, these walking, waiting Africans,
driven to the edges of our perceptions.

They walk through a landscape theirs
by law and ancient practice, but which
they didn’t make. Not strangers, not foreign,
but curious, unreadable, and, like the landscape,
strangely eloquent.




Lawrence Ferlinghetti

Seascape With Sun and Eagle

Freer
than most birds
an eagle flies up
over San Francisco
freer than most places
soars high up
floats and glides high up
in the still
open spaces

flown from the mountains
floated down
far over ocean
where the sunset has begun
a mirror of itself

He sails high over
turning and turning
where seaplanes might turn
where warplanes might burn

He wheels about burning
in the red sun
climbs and glides
and doubles back upon himself
now over ocean
now over land
high over pinwheels suck in sand
where a rollercoaster used to stand

soaring eagle setting sun
All that is left of our wilderness

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